Tan Haw logotype

Tan Haw

Iranian classical roots, psychedelic and electronic futures.

Brooklyn ⟷ Mexico
Setâr · Vocals · Fretless guitar
Persian · Azerbaijani · English · Spanish

Lead track — Debut LPRoyâ-ye Mahtâb

Bio

Tan Haw is the stage name of Mani Nilchiani, an Iranian musician who splits his time between Brooklyn and Mexico, trained in Setâr and the Radif tradition, moving between Persian classical roots, psych-rock, and electronica across Persian, Azerbaijani, English, and Spanish.

Music

01

Royâ-ye Mahtâb

Title track.

Maziar Sharifian — Kamânche, Setâr

02

Sho-Hud

Iranian-traditional-inspired psychedelic instrumental rock, microtonal fretless guitar riffs.

Yahya Alkhansa — percussion · Kate Pass — electric bass

03

All You Could Have Been

The album’s only English-language track — rock, Setâr, double bass, drums, vocals.

Yahya Alkhansa — drums · Kate Pass — double bass · Mani — Setâr, vocals

Press
“Tan Haw is a radical improviser who explores the intersection of Iranian classical music with various forms of contemporary music.”
Bandcamp Daily — Big Ups ↗Cyrus Moussavi of Mississippi Records spotlights Iranian music he loves

Photos

High-res on request
Tan Haw press portrait
Press portrait 2024 — ph. Julie Thompson
Tan Haw live at Umbra, New York, 2025
Umbra, New York 2025 — ph. Sasan Oskouei
Tan Haw live at El Barrio’s Artspace, 2026
El Barrio’s Artspace 2026 — ph. Matt Cusimano

Collaborators

Maziar SharifianMusical direction, vocal training, Kamânche, Setâr
Fared ShafinurySetâr and Radif training
Yahya AlkhansaPercussion, drums
Kate PassElectric bass, double bass
Pedro OjedaDrums

Full album credits available on request

Mystic troubadour from Iran by way of Turtle Island ☽◯☾